What do you get when you give $130-175 million to a filmmaker who, after nearly 30 years in the business, has never helmed a blockbuster, or even a movie that grossed more than $41 million domestic? If you’re Warner Bros., which granted a nine-figure budget to Paul Thomas Anderson, you probably get all sorts of happy, because the writer/director’s new screwball epic One Battle After Another is going through the roof in every imaginable way. Better still, it deserves to.
