Sam Raimi’s latest is the ultimate “revenge on a horrible boss” comedy, one far nastier than Horrible Bosses itself, and like 9 to 5’s empowered kidnappers, Rachel McAdams’ marginalized, fed-up office drone is eminently worth cheering. Ma-a-aybe not when holding a knife dangerously close to her paralyzed employer’s privates, but … . Oh, who am I kidding? Especially then.
